Sylvia is a dance-researcher, maker, and teacher based in Lisbon, Portugal.
Sylvia is a dance-researcher, maker, and teacher based in Lisbon, Portugal.
Sylvia is a dance-researcher, maker, and teacher based in Lisbon, Portugal.
Sylvia is a dance-researcher, maker, and teacher based in Lisbon, Portugal.
Sylvia holds a Master’s Degree in Dance-Teaching and a Specialist title in Dance from the Lisbon Polytechnic Institute, as well as a Bachelor of Fine Arts from the Juilliard School in the New York City. She received her vocational training in Dance from the Dutch National Ballet Academy in the Netherlands, Elmhurst Ballet School in the U.K, and The Juilliard School in the USA, and was nominated as Outstanding Young Dancer by dance critic Lilo Weber during her time as a professional dancer with the Stadttheater Bern Ballet, in Switzerland.
From 1996-2015, Sylvia danced professionally in small and large repertoire dance companies in the Netherlands, Germany, Switzerland, and Portugal, working directly and indirectly with choreographers such as Roberto Galván at Stadttheater Giessen; Orjan Andersson, Stijn Célis, Félix Duméril, Nils Christe, Jacopo Godani, António Gomes, Foofwa DÍmmobilité, Jiří Kylián, Denise Lampart, David Parsons, Gisela Rocha, Philippe Saire, Pierre Wyss at Stadttheater Bern Ballet; with Ivan Wolfe and Frey Faust at Pool Dance Company; with Phillip Egli at Dance Company Molteni; with Massimo Bertinelli, Beatrice Jaccard, Sylvia Rijmer, Peter Schelling, Ivan Wolfe at Cie. DRIFT; and with Clara Andermatt, Mauro Bigonzetti, Stijn Célis, Marie Chouinard, Rui Lopes Graça, Rui Horta, Gilles Jobin, Jiří Kylián, Ohad Naharin, Paulo Ribeiro, Hervé Robbe, Didy Veldman at Ballet Gulbenkian; and Olga Roriz at Companhia Olga Roriz, to name a few.
As an independent dance-maker, she created group and solo works for the Stadttheater Bern Ballet Young Choreographers (CH); at the École des Sables (SN); the NRW Tanzhaus in (DE); Spain at the Matadero (ES); and for the CCB BlackBox, Teatro Aveirenese, and Centro Cultural de Cartaxo (PT). She especially enjoys choreographic collaborations, having created with dance artists such as Allan Falieri, Marco da Silva Ferreira, Teresa Alves da Silva, Tiago Coelho, Valter Fernandes, Iratxe Ansa, and Frey Faust to mention a few.
As repetiteur and choreographic assistant from 2010-2014, she worked closely with Portuguese choreographer Olga Roriz, building, and setting three original works for the Olga Roriz Dance Company, The National Ballet Company in Portugal, and Teatro Guaíra in Brazil.
Sylvia has extensively taught in various dance institutions and dance companies such as: Teatro Guaíra, Estúdios Vitor Cordón, Quorum Ballet, Stageworks Rui Horta, Companhia Olga Roriz, Companhia Nacional de Bailado, the Escola Superior de Dança, and at the École des Sables, varying her teachings from contemporary ballet, to contemporary dance and choreographic creations.
As a dance-researcher, Sylvia is very interested in the intersection between the performing arts and science, having collaborated as guest choreographer in several interdisciplinary and multimodal research projects which bring together contemporary dance, linguistics, choreographic composition, and technology to investigate alternative practices for making and thinking dance. These projects included: The Blackbox Lab: Arts&Cognition, based at the Faculty of Social Sciences and Humanities at the Nova University in Lisbon (2018/22), where her research work was framed around attention and habitual movement patterns in dance-making: The Moving Digits Project (2019/20), aimed to enhance audience understanding and engagement in contemporary dance performances, where her research was focused on the digital glitch and the error; and The Choreographic Coding Lab (2023), aimed at creative coding in contemporary dance practices, where she looking into AI as a tool for alternative dance-makings. She is currently affiliated with the CFCUL - Centre of Philosophy and Science at the University of Lisbon, and the Hidden Layers: AI and Design Conference 2024 at the Köln International School of Design, Germany.
As an invited dance researcher, she was invited to share her interdisciplinary research in dance and technology at the following research laboratories: LASEEB LAB– affiliated to the Institute for Systems and Robotics at the Técnico University in Lisbon; SOBA LAB – The Social Brain in Action Laboratory at the Glasgow University in Scotland; and at the DDCMC19,The Dance, Data and Multimodal Communication Conference at the Faculty of Social and Human Sciences, Nova University in Lisbon, and at the Hidden Layers: AI and Design Conference at the Köln International School of Design, Germany.
Currently, Sylvia is developing a dance and technology research project entitled, The Body Logic Method – The Contemporary Dancer, a dynamic archive in the era of Artificial Intelligence - in collaboration with three contemporary dancers, a cognitive linguist - Vito Evola (Nova University, Faculty of Social and Human Sciences), and a creative technologist - Cláudia Sevivas (IADE University). This arts and science research project is funded by the IDI&CA 2023 scholarship of The Polytechnic Institute of Lisbon and is looking forward to sharing its results in July of 2024.
In the realm of dance-film, she created the following documentary project: The Phoenix reborn from its ashes – in collaboration with filmmaker Abass Abass and The Saramago Institute, The Camões Institute, The Portuguese Embassy in Dakar and the Polytechnic Institute of Lisbon; Dance in Virtual Reality Installation - a VR Installation created by the BlackBox team together with Sylvia Rijmer and contemporary dancers to document the research around her invented Body Logic Method (BL M) using Kinect, 3D point-clouds, stereoscopic images, and audio-video; and What if I can interfere with the choices my body is making? – in collaboration with filmmaker Pedro Rodrigues at IADE (t.b.a July, 2024).
Her most recent choreographic work is for 11 dancers of the Quorum Project 2024, due to premiere in May, 2024 in Portugal.
Sylvia is currently on the dance faculty at the Superior School of Dance in Lisbon and supervises a selection of master’s degree in dance -teaching students the Superior School of Dance in Lisbon, and in creative computing and artificial intelligence at the IADE – Creative University in Lisbon.
A work for 11 dancers of the Quorum Project set to music by Miguel Lucas Mendes and the first Aria of the Goldberg Variations interpreted by Glenn Gould.
Inspired by the wisdom of the crowd according to James Surowiecki.
choreography in collaboration with the dancers
dancers: Filomena Melim, Inês Ribeiro, Leonor Paulo, Margarida Santos, Mariana Simões, Matilde Pinto, Margarida Santos, Carolina Cruz, Catarina Jesus, íÍis Santos, Laura Santos.
music: Miguel Lucas Mendes, JSBach
assistance: Kenji Matsuyama.-Ribeiro, Kim Pothoff
in collaboration with: Quorum Dance Academy / Quorum Ballet
Lisbon, 2024
This documentary is presented by the Embassy of Portugal in Senegal and the Camões - Institute of Cooperation and Language is a manifestation of the partnership between the Superior School of Dance of the Lisbon Polytechnic and the École des Sables in Senegal, materialized through an artistic residency held from May 23 to 31, 2022, in Toubab Dialao by Sylvia Rijmer and the dancers of the Jant-Bi Dance Company at the École des Sables.
The work developed during the residency was based on and inspired by the works of José Saramago, as part of the celebrations of the author's centenary.
The creation process within the educational context was recorded on film throughout the artistic residency, representing the outcome of the meeting that promotes intercultural dialogue.
Toubab Dialao, 2022
image: Adama Gnom, Ana rita Almeida, Baye Ibrahima Diagne, Birame Faye, Dieynaba Ndoye, Ibrahima Faye, Khady Ba, Mamadou Diallo, Marie Faye, Ousmane Cissé Diane, Serigne Fallou Séne
A work for the 2nd year students at the Superior School of Dance, Polytechnic Institute of Lisbon
Inspired by Steve Reich's Clapping Music
image: Rodrigo Pereira
Lisbon, 2021
A work for the graduating dance students at the Superior School of Dance, Polytechnic Institute of Lisbon
Inspired by the singular creative potential of each unique human.
image: students
Lisbon, 2023
A dance and technology research-performance inspired by the glitch - as concept and induced creative error.
Created within the project Moving Digits: Augmented Dance for Engaged Audience.
Link: A Beautiful Glitch
Concept and choreography: Sylvia Rijmer
Dancers (Tallinn, Aug/19): Hanna Junti, Liis Vares
dancers (Düsseldorf, Oct/19): Maria Pyatkova, Teresa Alves da Silva
visuals, sound and interaction by, respectively: Stephan Jürgens, Raul Masu and Jochen Feitsch, with additional interaction by William Primett
NRW Tanzhaus
Düsseldorf, 2019
compiled image created within the project Moving Digits: Augmented Dance for Engaged Audience using Motion Capture and Xsens Motion Capture Suit.
A gathering of 3 contemporary dancers and 4 classical musicians, inspired by instinctual and visceral reaction towards the making of a moment.
choreography: Sylvia Rijmer
dancers & collaborators: Inês Pedrucco, André Campos & Bruno Alves
Alorna Ensemble: Tera Shimizu (violin), Maria José Laginha (violin), Augusta(viola), Martin Henneken (cello)
creative advisor: Paulo Reis
film & editing: Luís Marrafa
CAL - Centro de Artes em Lisboa
Lisbon, 2018
A group work based on inner states of battle & public appearance.
choreographical concept: Sylvia Rijmer
in collaboration with dancers: Teresa Alves da Silva André Mesquita, Sylvia Rijmer
live music & original composition: Miguel Lucas Mendes
light design: Nuno Salsinha, Tela Negra.
texts: Ray Bradbury, Sylvia Rijmer
dramaturgical support: Paulo Reis
photography: Guzmán Rosado
video editing: Guzmán Rosado
support: Company Olga Roriz, Tok'art, Teatro Extremo, Pro Dança
Centro Cultural de Cartaxo
Cartaxo, 2017
All visible, bio-mechanical motion begins somewhere within the body.
This performance wishes to show the visual dissection of bio-mechanical motion, highlighting the birth of a relatively simple movement - like a bend in the wrist, to a complex execution of a dance phrase - as a choreography.
choreography: Sylvia Rijmer
dancer & collaborator: Marco da Silva Ferreira
concept & original music: Miguel Lucas Mendes
light design: Nuno Salsinha / Tela Negra, Lda
light operator: Margarida Moreira
photography & Morphing Film: Hugo Alves
production: Tânia Guerreiro / Produções Independentes
BlackBox, Centro Cultural de Belém
Lisbon, 2012
image: Marco da Silva Ferreira
A choreographic work based on various choreographic proposals by the dancers/performers and their means of communication through human and artistic movement.
choreography and interpretation: Iratxe Ansa, Igor Bacovich, Allan Falieri, Chevy Muradai, Sylvia Rijmer, Daan Vervoort
musicians: Miguel Lucas Mendes, Daniel del Rio, Artur Vida
MATADERO MADRID: Centro de Creación Contemporánea
Madrid, 2010
A physical performance workshop celebrating diversity, eclectic human creativity & artistic singularity within a safe studio space.
direction: Allan Falieiri & Sylvia Rijmer
Singularity I Workshop
guided by Allan Falieri & Sylvia Rijmer
& special guest Fabiana Nunes -dramaturgical director and rehearsal coordinator of the Ballet Company of th
A physical performance workshop celebrating diversity, eclectic human creativity & artistic singularity within a safe studio space.
direction: Allan Falieiri & Sylvia Rijmer
Singularity I Workshop
guided by Allan Falieri & Sylvia Rijmer
& special guest Fabiana Nunes -dramaturgical director and rehearsal coordinator of the Ballet Company of the City of Niterói (CBCN).
Singularity II Workshop
t.b.a soon!
Sylvia currently teaches in the Bachelor of Dance program and supervises a select series of students within the Master's Degree in Dance Teaching program.
Arabesque Dance Academy, Estúdios Vitor Cordón, Companhia Olga Roriz, Companhia Nacional de Bailado, Teatro Guaíra, Conservatório do Coimbra, Stageworks Rui Horta, Quorum Ballet, Mastumoto Performing Arts Center, Forum Dança, Density96
This interdisciplinary and multimodal research project aims to address the need for a reevaluation of established movement patterns and normative creative practices prevalent in contemporary dance practices today. The Body Logic Method (BL Method), an invented choreographic methodology promotes deliberate engagement in dance composition through a cognitively grounded approach centered on focused attention.
The deliberate incorporation of Artificial Intelligence (AI) as an additional tool for challenging normative approaches to dance-making, introduces the growing intersection of dance and technology as a new frontier for multimodal, practice-based research. The AI algorithms learn from the dancers' movements and generate responses, leading to a dynamic and interactive interplay between human dancers and machine-generated content. By synthesizing human with artificial intelligence, we seek to propose unfamiliar and unexplored patterns of thinking and doing to re-shape inherited embodiments as new propositions within the making of a contemporary, Contemporary Dance.
researchers: Sylvia Rijmer, Vito Evola, Cláudia Sevivas
dancers: Inês Pedruco, Luís Guerra, Valter Fernandes, Tiago Coelho & Marta Guimarães
documentarist: Pedro Rodrigues
funded by IDI&CA23, Reference Cod: IPL/IDI&CA23/Método BL_ESD
in collaboration with ESD & IADE - Creative University
Lisbon, 2024
This interdisciplinary and multimodal research project aims to address the need for a reevaluation of established movement patterns and normative creative practices prevalent in contemporary dance practices today. The Body Logic Method (BL Method), an invented choreographic methodology promotes deliberate engagement in dance composition through a cognitively grounded approach centered on focused attention.
The deliberate incorporation of Artificial Intelligence (AI) as an additional tool for challenging normative approaches to dance-making, introduces the growing intersection of dance and technology as a new frontier for multimodal, practice-based research. The AI algorithms learn from the dancers' movements and generate responses, leading to a dynamic and interactive interplay between human dancers and machine-generated content. By synthesizing human with artificial intelligence, we seek to propose unfamiliar and unexplored patterns of thinking and doing to re-shape inherited embodiments as new propositions within the making of a contemporary, Contemporary Dance.
researchers: Sylvia Rijmer, Vito Evola, Cláudia Sevivas
dancers: Inês Pedruco, Luís Guerra, Valter Fernandes, Tiago Coelho & Marta Guimarães
documentarist: Pedro Rodrigues
funded by IDI&CA23, Reference Cod: IPL/IDI&CA23/Método BL_ESD
in collaboration with ESD & IADE - Creative University
Lisbon, 2024
The making of "The Beautiful Glitch" - a dance research exploration which looks into the digital glitch and error as alternative modes for making a dance.
Researched and constructed together with the Moving Digits: Augmented Dance for Engaged Audience
Project no. 597398-CREA-1-2018-1-PT-CULT-COOP1, co-funded by Creative Europe – Culture Sub-programme, 2018 – Education, Audiovisual and Culture Executive Agency (EACEA) of the European Union.
Tallin, 2019
Movement data captured using motion capture and inspired by the digital glitch and error.
Dance Data edited & re-choreographed: Sylvia Rijmer
Original Soundscape: Miguel Lucas Mendes
Researched and constructed in collaboration with the Moving Digits: Augmented Dance for Engaged Audience
Project no. 597398-CREA-1-2018-1-PT-CULT-COOP1, co-funded by Creative Europe – Culture Sub-programme, 2018 – Education, Audiovisual and Culture Executive Agency (EACEA) of the European Union.
Tallin, 2019
This short film shares a day of dance research live and in virtual reality using an invented compositional method, the Body Logic Method (BL M), and a graphic music score by Cornelius Cardew.
Research Concept & Methodology / Choreography: Sylvia Rijmer
Collaborative Interpretation: Teresa Alves da Silva, Allan Falieri & Elson Ferreira
Original Music Reworked: Miguel Lucas Mendes
BlackBox: Arts&Cognition/sylviarijmer
Researched and constructed in collaboration with the BlackBox Arts & Cognition Project, Nova University, FCSH-UNL
© 2014–2019 BlackBox - Arts & Cognition | Legal Info | Privacy Policy | DfH
Lisbon, 2018
“Tree Solo” - is an informal studio excerpt created and performed by Teresa Alves da Silva (with Allan Falieri and Elson Ferreira as support). Their movements are constructed using the Body Logic Method (BL M), Virtual Reality (VR), and a graphic element of the Treatise score by Cornelius Cardew (1967: 181).
Research Concept & Methodology: Sylvia Rijmer
dancer: Teresa Alves da Silva with Allan Falieri
BlackBox: Arts&Cognition/sylviarijmer
Researched and constructed in collaboration with the BlackBox Arts & Cognition Project, Nova University, FCSH-UNL
© 2014–2019 BlackBox - Arts & Cognition | Legal Info | Privacy Policy | DfH
Lisbon, 2018
“Dance in Virtual reality – deconstructing choreographic objects through expanded media" is an installation-gallery in VR that has resulted from the convergence between choreographer Sylvia Rijmer's impulse to formalize her current compositional methodologies and the motivation of the BlackBox team to analyse and visually document unique artistic processes in contemporary dance.
BlackBox: Arts&Cognition/sylviarijmer
Development: Rafael Kuffner, Cláudia Ribeiro, Stephan Jürgens and Francisco Henriques
Technical assistance: Sara Ribeiro
Artistic consultancy: Sylvia Rijmer
Direction: Carla Fernandes
Researched and constructed in collaboration with the BlackBox Arts & Cognition Project, Nova University, FCSH-UNL
© 2014–2019 BlackBox - Arts & Cognition | Legal Info | Privacy Policy | DfH
Lisbon, 2018
A movement sample in VR collected from a three week, interdisciplinary and multimodal research.
Artistic Direction: Sylvia Rijmer Dancers & Movement Collaborators: Teresa Alves da Silva, Allan Falieri & Elson Ferreira
Filmed & Edited: Claudia Sofia Ribeiro
Original Music: Miguel Lucas Mendes
BlackBox: Arts&Cognition/sylviarijmer
Researched and constructed in collaboration with the BlackBox Arts & Cognition Project, Nova University, FCSH-UNL
© 2014–2019 BlackBox - Arts & Cognition | Legal Info | Privacy Policy | DfH
Lisbon, 2018
Identifying Body Logic in cognition & dance through deliberate choice negotiation. A short which shares the making of a movement sequence in real-time using an invented compositional method, The Body Logic Method (BL M).
Researcher: Sylvia Rijmer
in collaboration with dancers: Allan Falieri, Teresa Alves da Silva & Elson Ferreira
Film & Editing: André Silva Santos
Research Concept & Methodology / Choreography: Sylvia Rijmer
Collaborative Interpretation: Teresa Alves da Silva, Allan Falieri & Elson Ferreira
Original Music: Miguel Lucas Mendes
BlackBox: Arts&Cognition/sylviarijmer
Researched and constructed in collaboration with the BlackBox Arts & Cognition Project, Nova University, FCSH-UNL
© 2014–2019 BlackBox - Arts & Cognition | Legal Info | Privacy Policy | DfH
Lisbon, 2018
Guest choreographer/researcher
Personal Research Theme: Using invented and re- processed improvisational tools to find a body logic within a performative platform which makes sense to both dancer and spectator, introducing the negotiation of choice as an active and practical tool within dance making, teaching and thinking.
© 2014–2019 B
Guest choreographer/researcher
Personal Research Theme: Using invented and re- processed improvisational tools to find a body logic within a performative platform which makes sense to both dancer and spectator, introducing the negotiation of choice as an active and practical tool within dance making, teaching and thinking.
© 2014–2019 BlackBox - Arts & Cognition | Legal Info | Privacy Policy | DfH
Guest choreographer/researcher
Personal Research Theme: Capturing the digital glitch using motion capture in contemporary dance-making.
Project no. 597398-CREA-1-2018-1-PT-CULT-COOP1, co-funded by Creative Europe – Culture Sub-programme, 2018 – Education, Audiovisual and Culture Executive Agency (EACEA) of the European Union.
Invited choreographer/researcher
Personal Research Theme: Body Logic Method and AI: Alternative modes for making a dance using human-machine interaction
© 2024 Deutsche Sporthochschule Köln
Guest speaker for the 2nd Congress in artistic specialised teachings.
Title of talk: Teaching dance in the 21st century
Gulbenkian Foundation, Lisbon, 2022
Guest teaching of a contemporary ballet class for the seminar aimed at dancers, trainers, and advanced students of the Almada Dance Company, with the aim of rethinking the training of the contemporary dancer.
Almada Dance Company, 2020
Presentation of the results of the research project "Corpomusica" .
Title of talk: Creative Dance Practices - music and dance a direct dialogue in the classroom.
Superior School of Dance, Polytechnic Institute of Lisbon, 2019
Invitation by Dr. Emily Cross
Soba Lab: Social Brain in Action
The University of Glasgow: Institute of Psychology and Neuroscience
Title of talk: Negotiating Deliberate Choice-Making in a "New" Contemporary Dance
Glasgow, 2019
Invitation by Dr. Patricia Figuereido
LASEEB: Arts and Science Talk
Técnico University: Institute for Systems and Robotics
Title of talk: Negotiating Deliberate Choice-Making in a "New" Contemporary Dance
Lisbon, 2019
Invitation by Dr. Carla Fernandes
DDCMC19 - Dance Data, Cognition and Multimodal Communication
Nova University
Title of talk: Negotiating Deliberate Choice-Making in a "New" Contemporary Dance
Lisbon, 2019
Rijmer, S. (2022). Negotiating Deliberate Choice-Making: Insights from an interdisciplinary and multimodal encounter during the making of a New Contemporary Dance. In C. Fernandes, V. Evola, & C. Ribeiro (Eds.), Dance Data, Cognition, and Multimodal Communication (pp. 15-37). Routledge. https://doi.org/10.4324/9781003106401-3
Fonseca, A. R., Abreu, R., & Fernandes, C. (2022). “I see something and I like it”: Unveiling a choreographer’s decision-making process using quantitative and qualitative methods. In C. Fernandes, V. Evola, & C. Ribeiro (Eds.), Dance data, cognition, and multimodal communication (pp. 202–219). Routledge. https://doi.org/10.4324/9781003106401-18
Correia, N. N., Masu, R., Primett, W., Jürgens, S., Feitsch, J., & Plácido da Silva, H. (2022). Designing Interactive Visuals for Dance from Body Maps: Machine Learning and Composite Animation Approaches. Designing Interactive Systems Conference, 204–216. https://doi.org/10.1145/3532106.3533467
Feedback#1- December 18th, 2010
A mixed media event created and produced by The Feedback Kolectiv - Sylvia Rijmer, Miguel Lucas Mendes and Paulo Reis.
In this unique event, 25 Portuguese based mixed media artists joined in a generous sharing of their creative ideas and works in progress. The evening varied from dance to theatre, music, photography, film, book readings, including sound and video installations.
The event took place at the studio space of Companhia Olga Roriz in Baixa, Lisbon.
Video & Editing: Guzmán Rosado
Video Sound: Miguel Lucas Mendes
The Feedback Kolectiv wishes to thank Companhia Olga Roriz, and all the artists and guests who so generously shared their works and supported the work of others.
Feedback#2- May 21st, 2011
A mixed media event created and produced by The Feedback Kolectiv - Sylvia Rijmer, Miguel Lucas Mendes and Paulo Reis.
In this unique event, 26 Portuguese based mixed media artists joined in a generous sharing of their creative ideas and works in progress. The evening varied from dance to theatre, music, photography, film, book readings, including sound and video installations.
The event took place at the studio space of Companhia Olga Roriz in Baixa, Lisbon.
Video & Editing: Guzmán Rosado
Video Sound: Miguel Lucas Mendes
The Feedback Kolectiv wishes to thank Companhia Olga Roriz, and all the artists and guests who so generously shared their works and supported the work of others.
A physical performance workshop celebrating diversity, eclectic human creativity & artistic singularity within a safe studio space.
Guided by Allan Falieri & Sylvia Rijmer
& guest Fabiana Nunes (dramaturgical director and rehearsal coordinator of the Ballet Company of the City of Niterói (CBCN).
Lisbon, 22
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